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Editors have a gardening term for working on paragraphs that might be helpful: topping and tailing. By snipping off the confusing opening plus colon, and (occasionally) by tightening up the trailing explanatory matter, the book may end up with a title that tells readers what it is about.
I am also guilty here, but I did learn that one way to tell if a title "works" is to practice saying it before an audience ("As I say in Reclusive Yet Ubiquitous: Cultural Sightings of Agnetha Fältskog..."). If you stumble over it, readers will too. One reason why titles like Pride and Prejudice and The Perfect Storm work so well is because they are easy to say and remember, and they give us a memorable image of their respective books' themes.
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